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STRING QUARTETS # 2 - Live in Barcelona
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We look above all inward: it is our very private and personal conversation that you, the listener, happen upon, a given concert only one more step in our individual and collective evolution.

Diogenes Quartet on Spotify

And at the same time the concerts documented here, performed in the hall we inaugurated and know best, depend on outside perception — on the audience in the hall or the listener alone at home. When we began performing the Schubert cycle Barcelona was the last stop on a tour that included London, Schwarzenberg, Florence, Lisbon and Madrid, among other cities a colleague asked why we agreed to this massive undertaking.

Are the early Schubert quartets worthwhile in the way that the Opus 18 Beethoven quartets undeniably are? Of course the comparison is inherently unjust: at around the same age that Beethoven was publishing his first quartets, Schubert was writing his late masterpieces. That is to say, to discover the young Schubert is to find a treasure trove of materials, waiting to be moulded into their most perfect form.


It was in this spirit that we set about making this live recording, in hopes that a listener beyond the limits of that hall on those nights would join us in discovering these great works anew. One always speculates -at least I do- about the dynamics, artistic and personal, of string quartet performers, but I have never felt that I have seen such a happy team as the Cuarteto Casals. Not only their glances and occasional smiles, but their whole body language suggest a harmonious group each member of which retains his or her personality Michael Tanner.

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El cuarteto ha alcanzado finalmente la excelencia. Son logros de primera magnitud, comparables a lo mejor que conocemos. As a mentor he teaches at the in-house Orchesterakademie of the Staatskapelle Berlin.

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Krzysztof Specjal was born into a musical family in Warsaw in At the age of seven he started playing the violin. After graduating from the music high school in Warsaw with honours he went on to study with Prof.


Following his scholarship to attend the Orchesterakademie of the Staatskapelle Berlin from to he joined the Staatskapelle Berlin in As a soloist Krzysztof Specjal played with several Polish symphony orchestras, for example with the Sinfonia Varsovia, as well as internationals, like the Sinfonietta de Paris and the Vietnam National Symphony Orchestra in Hanoi. On a regular basis he participates in the West-Eastern Divan Orchestra. Krzysztof Specjal won numerous prizes at international competitions such as the H.

Wieniawski Competition in Lublin, the International A. Yulia Deyneka is a versatile chamber musician, with tenures as professor at the Barenboim-Said Academy and principal viola of the Berlin Staatskapelle.

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  • She is also frequently to be heard as a soloist with various orchestras. For over 10 years, she has been involved with the West-Eastern Divan Orchestra, whose viola section is under her tutelage.

    Since childhood, chamber music has played an intrinsic part in Yulia Deyneka's artistic development, and continues to be a significant feature of her professional life today. She is also in demand as a guest at many international chamber music festivals. In the previous season she performed together with musicians from the Berlin Philharmonic an entire Brahms chamber music cycle.

    Franz Schubert - String Quartet No.1, D 18 (with score)

    Yulia enjoys a longstanding musical connection with Daniel Barenboim. Together, they have performed the major sonatas of the viola repertoire, as well as the great chamber music works with piano.

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    Yulia Deyneka considers it her artistic responsibility to pass on her considerable experience and musical knowledge to young musicians. She is professor at the Barenboim-Said Academy in Berlin and is responsible for the members of the Berlin Staatskapelle's orchestra academy.

    Claudius Popp was born in Weimar, Germany in He began playing the cello at the age of four, receiving instruction from his father, Professor Gotthard Popp, a cellist himself. Considered a prodigy, he was accepted by Professor Karine Georgian and Heinrich Schiff as a student and continued his studies dually in Detmold, Germany and at the Mozarteum Salzburg, Austria.